Financiando las bellas artes: Tendencias internacionales político-económicas de 1985, 2001 y 2016

Harry Hillman Chartrand

doi:10.32870/cor.a1n1.5410

Authors

Harry Hillman Chartrand Compiler Press / Universidad de Saskatchewan

DOI:

https://doi.org/10.32870/cor.a1n1.5410

Keywords:

Public arts funding, International Political Economics, Cultural Policy, knowledge-based economy, cultural sovereignty.

Abstract

Over the last 30 years the Fine or Beaux Arts have competed for public funding against an increasingly better organized and potentially profitable Entertainment Arts Industry and against more politically acceptable Amateur and Heritage Arts, especially at the regional and local levels. In part, this reflects public perception of the Fine Arts as elitist in a self-consciously egalitarian society while its experimental wing or avant-garde is viewed as ruthlessly critical of the ‘Powers-that-Be’, whether cultural, economic or political, begging the question: Why should government fund its critics? What is to be done if the Fine Arts are to be revivified in an increasingly global knowledge-based economy? [Editor's note: This article has not been peer-reviewed]

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Author Biography

Harry Hillman Chartrand, Compiler Press / Universidad de Saskatchewan

Economista cultural. Canadiense. Editor de Compiler Press y profesor de Economía del Colegio de Artes y Ciencia de la Universidad de Saskatchewan, Canadá. Doctor en Estudios Interdisciplinarios (Universidad de Saskatchewan, Canadá). Maestro y Licenciado en Economía (Universidad de Carleton, Canadá). Ha publicado cerca de un centenar de obras, entre libros, capítulos y artículos, muchos de los cuales han sido multicitados. Fue editor ejecutivo y editor consultor de la Journal of Arts Management, Law & Society. Fue director de investigación del Consejo de Canadá para las Artes durante 8 años. Ha sido consultor de economía cultural de numerosas instituciones internacionales y profesor en distintas universidades canadienses.

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